As part of my holistic journey I have found sound therapy to be beneficial to the management of my chronic pain caused by Fibromyalgia, this sound has taken the form of gong, tuning forks, crystal bowls and drumming whilst also practicing yoga, Reiki and more recently joining a Zumba class. I would not have believed that I would have been able to participate in a dance fitness activity following my diagnosis in 2014, when I was walking with the aid of a stick. I have always maintained that I will keep on fighting this, exploring activities that I feel will benefit in assisting my body to heal itself. I believe that a lot of my healing has been a reaction to the sound and rhythm allowing the very cells of my body to absorb and be agitated, bringing them to life; it makes me smile, I feel happy and with that, energy seems to flow and the pain melts into the background.
I have always been interested in how our ancestors dealt with health conditions using herbs and natural therapies to alleviate pain and health conditions often administered by the wise elders of the indigenous groups around the world. Something that I feel, we have lost in our modern society of technology, stress and burn out. This has led me on to the path of Shamanism, learning to feel the connection between nature, mother earth and my whole being. Rhythmic drum healing is a very ancient therapy that has been practiced for thousands of years by many cultures to promote wellbeing and healing using the natural law of resonance to restore the vibrational integration between mind, body and spirit.
I could not believe my luck when I was offered the opportunity to birth (make) my own Shamanic Drum in a one day bespoke workshop which was held locally. Prior to the day we were asked to source a piece of wood to use as a beater, so during the storms and following the blizzards a couple of months ago, I wandered along the seashore and found a beautiful piece of drift wood, which I felt was perfect for my drum. I attended the workshop with a mix of excitement and apprehension, after being so poorly at the start of this year with a chest infection and chronic fatigue, I knew that birthing a drum was going to be very special. I would be creating this wonderful tool for healing and it would be taking place on the full moon.
There were five of us attending the workshop, our first task was to select our 16 inch rounds of wood than had been handcrafted to form the frame for the drum. It’s really strange when you sit and think about making a shamanic drum for yourself, I really wanted to feel that I was in touch with my ancient ancestors, the night prior I had not had the best of nights sleep and had been very restless so arrive feeling a bit jaded. We were invited to select our deer skins that were outside in five buckets, Phil had had spent a lot of time in the days prior, preparing them for our use. He explained they were all different sizes. I selected the last reamaing bucket, this turned out to be the smallest skin. At first I felt I little bit of disappointment, but then realisation that envy is something that I need to work with, I was starting to discover that my little deer was going to teach me some very valuable lessons in life. We started to connect with our drum, by some shamanic journeying which is similar to a deep mediation whilst a drum beat is played, we did this at various stages throughout the workshop. After cutting out the circle to make the drum from the skin, we were asked to make the umbilical cord to lace it all together, from the same piece of skin. There was a concern that I would need to use an additional skin as my hide was quite small. However I ended up with about so much cord, I had a lot left over after I had laced it, my second lesson from my little deer, just because something is small, it does not mean that it cannot generate a bountiful supply.
Later we following the Shamanic tradition walking in single file, stepping in each other’s footsteps, while Alex drummed for us, making our way into the woods. We came to a large tree and then took it in turns to test the strength of our umbilical cord, which we had taken with us. We were asked to lean back and take the strain of the cord to see where it breaks, having completed that ritual, we returned to lace our drums. This was the most challenging part of the process, I discovered you need a lot of strength to lace the back, to ensure the face is kept taught. I think this was the time when I felt most connected to the process and started referring to the drum as her, I don’t know how or why, I just knew. After a fair bit of effort and some help from Phil I finally birthed my drum.
I have been taught that great patience is required both during the making process and the need to be allowed to completely dry before being played, each day I kept going to look at the change in the colour on her face and eager to hear her first sound. Her markings are similar to looking at the moon, I see pure beauty; the significance of birthing my drum on a full moon is being able to use the strong energy as a very positive opportunity and illumination to the world.
Two weeks later, on the new moon when an energy portal is opened up to bring in your good intention and manifest healing energy, I knew it was time to hear her play. The sound that she gives out is so very special, I feel a very deep connection to nature, to my ancient ancestors and also to the spirit of the deer coming through the drum.
Earlier this week, after a particular challenging day, I picked up my drum, sat out in the garden in the evening sunlight and quietly played, letting the gentle rhythmic beats flow through my body, quieting my mind and bringing loving healing energy to my soul. I feel truly blessed, and so the journey continues……..
If you would like to know more ~
About birthing your own drum please contact Phil Rowe Drums
About Sound Healing Sally Free ~ Sound Therapist